Meet

L.F. Rosales

A man wearing glasses, a beige cap, and a burgundy sweatshirt taking a selfie in a home office. The background shows a window, shelves with books and art, a desk with various items, and wall decorations including paintings and a wooden clock.

I’m an author of speculative fiction where science and myth co-mingle. Currently at work on The Ouroboros Chronicles.

I write about ordinary people doing, arguably, extraordinary things. By day, I tinker with data and business insights; by night, the world turns stranger and more human. When not drafting, you’ll find me devouring books on cosmology, reverse‑engineering myths, or discovering the exact coffee that a character would drink.

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At a glance

  • Current project:The Ouroboros Chronicles, Book 1-The Price of Creation

  • Genres: Science fantasy, near‑future SF

  • Location: California, USA

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  • An ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. Across cultures it has represented cycles without end: creation and destruction, death and rebirth, eternity and return.

    It is a reminder that every ending is also a beginning. But it is more than just a serpent in a circle: the ouroboros embodies the infinite loop, where life and death, order and chaos, fate and free will are locked together in an endless spiral.

    It is an image of renewal, paradox, and self-consumption, and it lies at the very heart of my stories.

  • The Ouroboros Chronicles is my debut saga. A blend of science fantasy and near-future mythmaking. At its core, it asks what happens when fate begins to unravel, and whether free will is a gift, a curse, or an illusion. Each book expands the universe, pulling readers deeper into a cycle of gods, mortals, and the paradox of creation itself.

    The Price of Creation is Book I in a planned series that explores these themes.

  • As a kid, I devoured DK Eyewitness books on mythology, science, and history: fuel for the imagination that eventually grew into this story.

    I’ve always been fascinated by how time, choice, and myth collide, and from that spark I built a world where ancient archetypes meet near-future science, and every answer leads to another question.

    Growing up I went to religious schools from K–12 which left me captivated by the stories people use to explain the unexplainable. The Price of Creation borrows from that tradition, reimagining it in a way that’s fun, intriguing, and approachable.

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